Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

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Two sisters visit their late great-grandmother's house.

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Jordão Magalhães, a young plastic artist from a small inland city, is hired to sculpt the statue of the local virgin patron. The model that inspires her is Verinha, with whom she maintains a loving relationship.

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Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

Bondomil, a quiet little town, becomes famous because in its main square there's a tree with strange fruits, with the format of the male sex organ, supposed to be an aphrodisiac for women. Soon the population grows wild, and tourists gather around it.

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